When Fujifilm released the X-T4, they divided their loyal fanbase. The camera was bigger, bulkier, and strayed from the classic design that made the X-T3 beloved. With the X-T5, Fujifilm returned to their roots—bringing back the compact body everyone loved while packing in a groundbreakin…
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Take me backThe Panasonic Lumix GH5 Mark II might be the most underappreciated camera of the past few years. Released in the shadow of the GH6 announcement, it never got the attention it deserved. But after shooting with one extensively for several years, I…
The Panasonic Lumix S1R Mark II might be the most underrated full-frame camera on the market right now. With 44 megapixels, 40 frames per second burst shooting, class-leading video specs, and a price tag lower than all its direct competitors, it de…
The Panasonic Lumix GH7 represents something we've been waiting years for: a Micro Four Thirds camera that makes absolutely no compromises. After the GH6's disappointing dynamic range and lack of phase-detect autofocus, videographers faced …
Panasonic has been ignoring photographers for years, focusing almost exclusively on video features. But the G9 Mark II was supposed to change that—a camera built specifically for photographers who felt left behind. Here's the twist: it accident…
I'm a Sony fanboy. I own multiple Sony cameras, a drawer full of Sony lenses, and I've built my entire workflow around the Sony ecosystem. So why did I just buy a secondhand Panasonic Lumix S5 IIX? One feature changed everything: 3:2 open …
You just unboxed your shiny new Panasonic G9 Mark II. Now what? Out of the box, this camera has several settings that will frustrate you until you change them. As someone who's been shooting Lumix cameras for years, I'm here to save you hou…
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